About The Artwork
TERENANG merupakan salah satu produk tembikar tradisional rakyat di Semenanjung Malaysia.
Lukisan ini menunjukkan sebahagian proses pembuatan TERENANG di Kampung Pasir Durian dan Temin Kraf di Jerantut, Pahang. Tanah liat yang telah diuli sebati, dibentuk menjadi bulat dan ditepuk-tepuk dengan tangan supaya mampat. Kemudian diletakkan di tengah-tengah pemusing dan dialas dengan papan lapis.
Karya ini dihasilkan dengan menggunakan media PENCIL GRAPHITE sepenuhnya iaitu terdiri daripada 2H, H, B, 2B, 4B dan 8B. Penekanan dan fokus adalah pada bahagian tanah liat yang melekat di tangan dan jemari pembuat Terenang tersebut.
Semoga warisan ini akan terus dilestarikan untuk dihayati oleh generasi akan datang.
Lukisan ini menunjukkan sebahagian proses pembuatan TERENANG di Kampung Pasir Durian dan Temin Kraf di Jerantut, Pahang. Tanah liat yang telah diuli sebati, dibentuk menjadi bulat dan ditepuk-tepuk dengan tangan supaya mampat. Kemudian diletakkan di tengah-tengah pemusing dan dialas dengan papan lapis.
Karya ini dihasilkan dengan menggunakan media PENCIL GRAPHITE sepenuhnya iaitu terdiri daripada 2H, H, B, 2B, 4B dan 8B. Penekanan dan fokus adalah pada bahagian tanah liat yang melekat di tangan dan jemari pembuat Terenang tersebut.
Semoga warisan ini akan terus dilestarikan untuk dihayati oleh generasi akan datang.
Other Details
This is an original painting.
Painting does not come with frame.
Colour may slightly differ when viewed on different screens.
© Images here are copyrighted. All rights reserved.
Painting does not come with frame.
Colour may slightly differ when viewed on different screens.
© Images here are copyrighted. All rights reserved.
Meet The Artist
Dean Harun
Born on December 6, 1969, in Kuala Nerang, Kedah, Mr. Dean Harun embarked on his artistic journey as a painter at the tender age of 17. His first forays were into the realms of watercolor and oil painting. Over the years, he has been an active participant in various exhibitions alongside fellow artists in Malaysia.
For Mr. Harun, understanding and mastering a diverse array of artistic media, techniques, and styles is a prerequisite for any artist before diving into the field. A true artist evolves into a great creator when equipped with the prowess to harness the multitude of mediums, techniques, and artistic styles. Nevertheless, it is often wiser for an artist to concentrate on a single medium, technique, and style to craft more impactful and resonant works of art.
For Mr. Harun, understanding and mastering a diverse array of artistic media, techniques, and styles is a prerequisite for any artist before diving into the field. A true artist evolves into a great creator when equipped with the prowess to harness the multitude of mediums, techniques, and artistic styles. Nevertheless, it is often wiser for an artist to concentrate on a single medium, technique, and style to craft more impactful and resonant works of art.
Dean Harun has crafted a significant body of work based on graphite and colored pencil on watercolor paper, belonging to the “HAND” and “TRADITIONAL” series, following the path of realism. Additionally, he has completed numerous portrait commissions using these mediums. His expertise also extends to the use of soft pastels.
In recent years, his artistic focus has shifted towards acrylic and oil painting. His creative expressions have evolved, emphasizing techniques such as impasto, impressionism, and abstract art. In the past, with pencil graphite and realism, his art predominantly featured black and white compositions, with primary subjects being portraits, hands, and traditional objects. Now, with impasto and impressionist techniques, his work is directed more towards landscapes, with a touch of figurative art.
“Blend a multitude of colors onto a single canvas to evoke a profound and beautiful impact on the world’s essence.”
In recent years, his artistic focus has shifted towards acrylic and oil painting. His creative expressions have evolved, emphasizing techniques such as impasto, impressionism, and abstract art. In the past, with pencil graphite and realism, his art predominantly featured black and white compositions, with primary subjects being portraits, hands, and traditional objects. Now, with impasto and impressionist techniques, his work is directed more towards landscapes, with a touch of figurative art.
“Blend a multitude of colors onto a single canvas to evoke a profound and beautiful impact on the world’s essence.”
